Posted: March 27th, 2010 | Author: ktcita | Filed under: illustration, photography | Tags: Alex Craig, Irving Penn, Saul Steinberg, Wayne Pate | No Comments »
We have just returned from the National Portrait Gallery’s exhibition of Irving Penn’s portraits. Truly extraordinary and exquisite photographs that I am so glad to have seen up close.
I had become more familiar with his work through Alex Craig, a friend and photographer who was inspired by Penn when we were shooting for the 2007 Company B Season book. Alex wanted to pay homage to Penn’s use of the contained space, as seen in the full-length portraits of people such as Truman Capote in the 1940s. The portraits below are of Catherine McClements for Who’s Afraid of Virginia Woolf, and Richard Roxburgh for Toy Symphony.
One of Irving Penn’s portraits I really liked was that of Saul Steinberg (below), such a perfect way to shoot such an irreverent cartoonist. Another person who loves this portrait is illustrator Wayne Pate who has drawn his own version of the portrait in lieu of being able to afford the some $20-30,000 required to buy a print of the actual photograph.
IRVING PENN: Saul Steinberg in nose mask, New York, September 30, 1966.
I love Steinberg’s work, especially ones such as this:
SAUL STEINBERG: Untitled, 1957. Ink on paper. Originally published in The New Yorker, June 1, 1957. Via The Saul Steinberg Foundation.
Posted: September 16th, 2009 | Author: ktcita | Filed under: illustration, infographics | Tags: art, Christopher Niemann, graphics, infographics, MOMA | No Comments »
Christopher Niemann shows us all how to master the art of living in New York by way of these sweet little graphics. Thanks New York Times.
It is nice to see that someone shares my feelings about Kandinsky.
“It is always great to visit the Museum of Modern Art, but I have pretty strong likes and dislikes, especially when it comes to paintings from the 19th and 20th centuries. And I have a hard time enjoying a beloved painting while being irritated by another, less beloved piece of art. If you happen to share my preferences, I suggest the following:
“In Room 1 on the fifth floor, stand exactly in between Gauguin’s “Seed of the Areoi” (1) and Braque’s “Landscape at La Ciotat” (2). Turn east, facing Room 5, and you will be able to enjoy two wonderful Klimts (“Hope II” and “The Park”) (3) without being annoyed by the pointless Kandinskys (4), to the left, and Chagall’s disturbing cow (5), to the right.”